After I first converted to Sony cameras a few years in the past, I attempted out a ton of lenses earlier than I made my purchases. One of many final lenses I bought, although, was a telephoto lens. After making an attempt Sony’s 70-200mm f/2.8 GM, I ended up selecting the Tamron 70-180mm f/2.8.
It was lighter, smaller and carried out nicely in my assessments. However now that the second iteration of Sony’s G Grasp lens is out, does Tamron’s lens proceed to carry its price?
- Smallest and lightest f/2.8 telephoto I’ve used for full-frame cameras
- Quick and on-target with focusing, even in difficult lighting
- Bokeh is gentle and pleasing
- 180mm on the lengthy finish may be a bit too brief for some
- Lack of picture stabilization
- Exterior zoom mechanism
Tamron 70-180mm f/2.8 — Technical specs
All technical specs for (product title) have been taken from B&H Picture:
- Aperture: f/2.8–22
- Angle of view: 34° 21′ to 13° 42′
- Minimal focus distance: 10.63″ / 27 cm
- Most magnification: 0.5x
- Macro copy ratio: 1:2
- Optical design: 19 Components in 14 Teams
- Diaphragm blades: 9, rounded
- Picture stabilization: No
- Climate sealing: Sure
- Filter measurement: 67mm
- Dimensions: 3.19 x 5.87″ / 81 x 149 mm
- Size at most extension: 7″ / 177.7 mm
- Weight: 1.78 lb / 810 g
Tamron 70-180mm f/2.8 — Ergonomics and construct high quality
The Tamron 70-180mm f/2.8 is a really compact telephoto for Sony E mount cameras. It follows the design type of Tamron’s different E mount lenses, which provide a contemporary aesthetic made up of light-weight composite plastics (with a steel mount).
There is just one change on the lens — a Lock change — that means you need to change to guide focusing, you’ll have to try this in-camera.
The lens is available in at 1.78 kilos, roughly a half-pound lighter than the brand new Sony 70-200mm GM II lens and greater than 1.5 kilos lighter than the unique Sony 70-200mm. The scale and weight make for a balanced equipment when paired with any of Sony’s cameras.
It has an exterior zooming mechanism, that means the lens expands as you zoom. Regardless of that, it’s nonetheless shorter than Sony’s lenses — which have an inside zooming mechanism — when expanded.
The lens additionally has climate sealing, that means it’ll thrive in any situations.
Tamron 70-180mm f/2.8 — Within the discipline
The Tamron 70-180mm f/2.8 is a really approachable lens. You decide it up, join it to your digital camera and fireplace away. There are not any buttons or switches to mess with. Zoom and focusing rings are easy to make use of, too.
Picture optics are stellar with this lens, and it’ll work nice in quite a lot of environments, each indoors and out. I’ve but to discover a state of affairs the place the 70-180mm doesn’t work as anticipated, oftentimes exceeding my expectations. For anybody photographing occasions, that is going to be a lens you’ll need in your bag always.
Tamron 70-180mm f/2.8 — Autofocus efficiency
All year long I’ve had the 70-180mm, I’ve used it on quite a lot of photoshoots, together with fairly a couple of with motion. These embrace a skate park competitors, operating group, swing dancing, fireplace dancers, live performance and bike race.
With the 70-180mm, I’m extremely assured that I’ll hit my targets. Autofocus may be very quick to lock on, and I don’t see any searching, even in conditions the place there’s not a whole lot of gentle current. That is tremendous spectacular, as when it’s mixed with Sony’s superb Eye AF monitoring, you get an excellent combo that’s onerous to beat.
Tamron 70-180mm f/2.8 — Picture high quality
All in all, the Tamron 70-180mm has some nice optics. And whereas there’s some minor distortion and vignetting current, it shouldn’t be a fear with this lens. Exterior of that, the lens is tack sharp and provides an excellent topic separation with some bokeh.
Distortion management and vignetting
The Tamron 70-180mm has some minor distortion and vignetting, however that is simply corrected throughout post-processing. Personally, I just like the little bit of vignette it provides, so I are likely to preserve it.
Ghosting, flaring and chromatic aberrations
Like different Tamron lenses I’ve examined, ghosting, flaring and chromatic aberrations are managed extremely nicely. I’ve photographed a number of instances with the sunshine behind topics, and there’s merely nothing to fret about right here. For a budget-friendly lens, that is spectacular.
If there was one factor initially holding me again from selecting up the 70-180mm, it was the truth that the lens doesn’t have any picture stabilization. However its lighter weight makes up for that, making for a well-balanced lens that performs nicely and offers sharp photographs it doesn’t matter what digital camera you utilize.
Even on my previous a7 III digital camera, which wasn’t precisely a stabilization machine, I had no points getting sharp photographs with the lens.
Zooms won’t ever match primes when it comes to their bokeh qualities, nonetheless, the Tamron 70-180mm does an outstanding job at background separation with topics. When bokeh is current, it’s comparatively spherical, with some cats-eye current when huge open. The impact is agreeable and provides to the picture qualities of this lens.
Colours on the Tamron 70-180mm are very pleasing. They have an inclination to lean a bit heat, so concentrate on that when you’re taking pictures portraits. However general, colours pop and are very good and life-like.
Tamron 70-180mm f/2.8 — A quick, light-weight and budget-friendly telephoto
I’ve been impressed with my Tamron 70-180mm for over a yr now, and I proceed to be. Even whereas I examined the brand new Sony 70-200mm II, I discovered myself going again to the Tamron.
The Tamron has a whole lot of issues going for it. It’s small, gentle, has nice optics and has quick autofocus. The Sony is nice too, providing an inside zoom, picture stabilization and 20 further millimeters on the lengthy finish. Nevertheless it’s additionally bigger and heavier. And once you’re out taking pictures for a number of hours a day, that may actually weigh on you.
Regardless, each lenses are nice. For me, the Tamron makes extra sense due to what it provides me. It nonetheless actually holds its personal. To not point out, it’s greater than $1500 cheaper.
Tamron 70-180mm f/2.8 Di III VXD Lens for Sony E
Versatile zoom vary, quick design, and compact profile, the Tamron 70-180mm f/2.8 Di III VXD is a singular tackle the ever-present and common telephoto zoom. Designed for full-frame Sony E-mount cameras, this lens spans a helpful short-telephoto to mid-telephoto vary and is characterised by its f/2.8 most aperture to swimsuit working in obtainable gentle situations and for controlling depth of discipline.